The WING control surface utilizes a large capacitive touchscreen interface with touch-sensitive rotary controls for new ease of operation. Three separate fader sections and a Custom Controls section can be tailored easily and intuitively to meet your personal requirements. No matter if you need a specific bus to send fader next to the corresponding channel fader, or a dedicated “money” channel always at your fingertip, or even sharing the surface with two engineers - WING can be configured to elevate your production to a new level. You can even replace and customize the massive wooden armrest with something funkier if you like.
Behringer WING is offering a substantially different perspective by focusing on the Source as the reason for any mixing, say a bass drum signal or the lead vocal. Inputs are therefore given more properties than just a number. Sources can be in mono, stereo or mid-side mode, own headamp parameters like gain and phantom power, with specific source mute and metering. They can also be given a color, icon, name and several tags for grouping and filtering purposes. All of this describes the actual Source first before channels are used for processing or mixing.
All 48 input channels and 28 bus mixes can be used for mono, stereo or mid-side sources. Assigning a stereo source to any channel automatically renders the channel stereo, and it's stereo imager stage provides control over width from 150% stereo down to mono. The console does not need a reboot to apply any mode changes. Their channel, bus and subgroup configuration can be changed any time on the fly.
WING's innovative channel editing section is designed from the ground-up for immediate channel status overview and flow of operation. It allows working on the selected channel processing even when the main display is used for something completely unrelated. Touch-sensitive rotary controls allow the most relevant information to be displayed at your fingertips.
A central section offers user-assignable controls, i.e. 4 rotary encoders and 20 buttons with 2 LCDs. You decide whatever functions you'd like to have within your reach, always. A big rotary wheel offers fine-adjustments of up to 8 user parameters or can be used for DAW remote control via USB MIDI. The control configuration also includes pre-defined functionality for USB and SD card recorder transport, show control and mute groups. WING Input channels feature lo-cut and hi-cut filters, tilt-EQ, all-pass or Sound Maxer, in addition to the 6-band parametric EQ. All buses, matrices, and mains even feature an 8-band parametric EQ. Alternatively, WING offers 8 meticulous emulations of famous hardware equalizers for use in each and every channel, whenever you need that special vibe on your signals.
With 374 inputs and 374 outputs, a lot of digital connectivity is required. WING provides 3 AES50 SuperMAC audio networking ports for connecting digital stage boxes or sharing up to 144 input and 144 output streams with other mixing consoles. There are 48x48 channels of USB audio and other 64x64 channels of Audio over IP (AoIP module optional), plus AES/EBU stereo I/O. The WING expansion card slot, featuring the LIVE SD recording card or accommodating option cards for various standards, such as ADAT, MADI, DANTE, and WSG, offers other 64x64 channels of audio in/out.
MIDI In/Out plus additional 2x2 GPIO provides an interface for console event triggers and external show control. 40-bit floating-point processing at 48 or 44.1 kHz, with 1 ms round-trip latency. Dual solo/monitor buses per channel for monitoring over phones/IEM and/or floor wedges and studio monitor speakers.
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