Description
The DiGiCo X-Q7-W-WS Quantum 7 is configured exclusively for MADI audio networking, making it an ideal choice for professionals using MADI-based infrastructures. This version eliminates Optocore networking while maintaining the console's full mixing capabilities. It provides a straightforward solution for applications where MADI is the preferred protocol. The streamlined configuration simplifies system integration and reduces unnecessary hardware. It is well suited for touring, broadcast, and fixed installations. Users benefit from dependable, high-performance digital audio connectivity.
Powerful Quantum Processing
Powered by DiGiCo's Quantum processing engine, the console delivers exceptional speed, precision, and audio quality. It supports extensive channel counts and advanced processing for demanding productions. Every input, bus, and output benefits from high-resolution digital signal processing. The engine is designed to handle complex live mixes without compromising performance. Fast response times ensure smooth operation during high-pressure events. This powerful architecture is built for today's most ambitious productions.
Comprehensive MADI Connectivity
The MADI-only configuration offers extensive connectivity for compatible stage racks, recording systems, and broadcast equipment. Multiple MADI interfaces provide flexible routing for large-scale audio networks. The protocol supports reliable multichannel audio transmission with minimal latency. This allows engineers to connect external devices efficiently while maintaining signal integrity. It integrates easily into existing MADI workflows without additional networking hardware. The result is a stable and dependable digital audio environment.
Optimized Workflow
Quantum 7 combines intuitive touchscreen operation with touch-sensitive motorized faders for fast and accurate control. Engineers can quickly access channels, processing, and routing functions during live productions. The user interface is designed to minimize operational complexity while maximizing efficiency. Customizable layouts allow the console to adapt to different production requirements. Advanced workflow features help reduce setup time and improve mixing speed. Every control is optimized for professional live sound operation.
Professional Audio Performance
Designed for high-end live sound, Quantum 7 delivers exceptional sonic clarity across every channel. Premium microphone processing, dynamic control, and built-in effects provide outstanding audio quality. The console maintains consistent performance even in complex, high-channel-count productions. Low-latency processing ensures precise monitoring and accurate signal reproduction. Engineers can confidently mix concerts, theatrical performances, and broadcast events. Its professional-grade audio engine meets the highest industry standards.
Built for Demanding Productions
The Quantum 7 is engineered to perform reliably in the most challenging production environments. Its durable construction withstands the rigors of touring and continuous operation. The console is equally suited for permanent installations, rental companies, and broadcast facilities. Expandable architecture allows the system to grow with future production needs. Combined with dependable MADI networking, it provides a flexible long-term solution. The result is a flagship mixing console built for professional performance and reliability.
What’s in the box:
- Dual redundant engines
- Q7 & SD7 3 Piece Flight Case with Pullout Keyboard on Casters
- Connection: MADI x 8, Internal Waves Card, UB-MADI, DMI Port x 2
- Connectors: BNC
Product Specifications:
Model: DiGiCo Quantum 7 Digital Mixing Console
Configuration: MADI-only audio networking.
MADI Connectivity: Up to 8 × MADI BNC ports (48 kHz) or 4 redundant MADI ports (96 kHz)
Faders: 38 × 100mm touch-sensitive motorized + 14 × 60mm touch-sensitive motorized
Touchscreens: 3 × 15-inch high-resolution LCD touchscreens
Meterbridge Displays: 3 × Custom-mounted high-resolution TFT-LCD displays
Redundancy: Dual removable processing engines, dual hot-swappable power supplies
Processing Channels: Up to 432 (Input Channels, Aux, and Solo Group Busses)
Busses: Up to 128 Mono, Stereo, LCR, or 5.1 Aux/Group busses
Matrix: Up to 48 Inputs × 48 Outputs with full processing
Control Groups: Up to 36 selectable VCA, Moving Fader, or Mute Groups
Graphic EQ: 48 × 32-band Graphic EQ (±12dB)
Internal Effects: Up to 48 stereo effects (16 reverbs, 32 delays/chorus/pitch/enhancer)
Local I/O: 12 Mic/Line, 12 AES, 8 MADI @ 48kHz, 4 Redundant @ 96kHz, BNC
Sampling Rates: 48kHz / 96kHz
GPIO: 2 × DSub37 (16 standard, expandable to 32)
Video I/O: 2 Inputs, 2 Outputs
DMI Slots: 2 × DiGiCo Multichannel Interface
Waves Integration: Factory fitted
External Sync: Word Clock, AES, Video, MADI, Optocore
Power Requirements: 90–260 VAC, 50–60 Hz, 600 VA
Sample Rate: 48kHz or 96kHz
Processing Delay: 2ms @ 48kHz, 1.1ms @ 96kHz
Internal Processing: Up to 40-bit Floating Point
A/D & D/A Conversion: 24-bit
Frequency Response: ±0.6dB (20Hz–20kHz)
THD: <0.05% @ Unity Gain, 10dB Input @ 1kHz
Channel Separation: Better than 90dB (40Hz–15kHz)
Noise: Better than -126dB Equivalent Input Noise (20Hz–20kHz)
Maximum Input Level: +22dBu
Maximum Output Level: +22dBu
Channel Modes: Mono, Stereo, Multi
Input Routing: Main and Alternate Input
Analogue Gain: -20dB to +60dB
Digital Trim: -40dB to +40dB
Phase: Normal / Reverse
Delay: Greater than 1 second (coarse and fine adjustment)
DiGiTuBe: Drive 0.01–50.0, Bias 0–6
Filters: 20Hz–20kHz LPF/HPF, 24dB/Octave
Equalisation: 4-band Parametric or Dynamic EQ
Dynamics: Single-band or Multiband Compressor
Digital Trim: -20dB to +60dB
Phase: Normal / Reverse
Delay: Greater than 1 second (coarse and fine adjustment)
Equalisation: 8-band EQ
Dynamics: Single-band or Multiband Compressor
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